Baptiste - The Final Gig, London Underworld, 19/3/2003
by Olga Sladeckova
published: 18 / 3 / 2003
intro
Recent stars of the first Pennyblackmusic night, Baptiste have decided to call it a day and split up. Olga Sladeckova watches them perform their last ever gig at the London Underworld
Camden Town in London is a popular area for music fans. You will find many venues there including the Underworld. Faithful to its name, the venue is situated under the ground with steep stairs leading down into it. I arrive just after 8:30, but the venue seems quite busy already. People are shyly gathering at the back of the hall and looking over towards the stage. The first band are just finishing their set. When the band comes off, the audience uses the break to restock on drinks. I have got a drink already, so I just keep looking at the stage. 5 men bring in their instruments. They are all smartly dressed in suits and bring a bass guitar, a rhythm guitar, an electric guitar and a keyboard . The drum kit is already on the stage, left behind by the first band. The set lists are tied lastly on the floor . The nearer the performance gets the closer the fans move towards the stage. The band tunes in and then with no warning go straightforward into the first song. The song has a slow rhythm which some of the audience seem to follow with great accuracy. The singer stands in the front of the stage with the lead and the bass guitarist on his left and right. They all gently swing with the song's calm tune. The next song, however, radiates with energy. The drummer hits his drum kit with no mercy speeding the song up. The keyboardist, on the right side of the stage, adds to it melodic texture filling up the background delightfully. "Make a break to hide the scars/Nothing shines like a dying heart." sings the singer into the the auditorium. When the song finishes the band is awarded by deserved applause. "This is a new song." the singer says, announcing the next song. The band move back into a slower rhythm again. "Lying lbeow/ the edge of hope / it only hurts if you get too close" the lyric goes. We are moving towards the end of the set. Looking down from the stairs into the lower part of the auditorium where the stage is, I see people dancing. It is almost the end of band's tonight's set. "Thank you to everyone who supported us." says the vocalst "Special thanks to Anthony. The next song is called …" but I can't hear the name. I walk down the stairs closer to the stage and the music spills all around. You just wish it would never finish. "I don't want my mistakes to come crashing back" are the last words sung by the singer and come across with the greatest conviction. Then the band brings the sets to a conclusion in a great instrumental ending, pushing everything into it. Just before the song finishes the musicians start to disappear off the stage one by one leaving it empty. The show is over. I stand in the darkness of the auditorium for a few more seconds. A man comes up to me asking: "Who were that band that have just played? "They were Baptiste." I reply. "An amazing band." Fucked and Far from Home You Know Everything The New Song Kissing With Your Eyes Open Icarus The photographs that accompany this article were taken by Bob Stuart and originally appeared on his website www.underexposed.org.uk
Picture Gallery:-
interviews |
Interview (2004) |
After the collapse of their indie guitar band Baptiste last year, brothers Wayne and Marc Gooderham have formed a new band, Kelman. Wayne Gooderham talks to john Clarkson about his new starker change of direction |
Interview (2002) |
Interview (2002) |
live reviews |
Buffalo Bar, London, 1/6/2003 |
Sunday evening is usually a tough evening for gigs but ex-Baptiste man Wayne Gooderham in his first solo performance still manages to make an impact in a short set at London's Buffalo Bar |
London Arts Cafe, 1/11/2002 |
London Garage, 12/9/2002 |
London Dublin Castle, 14/8/2002 |
London Metro, 4/5/2002 |
London Water Rats,11th July 2001 |
features |
Baptiste (2008) |
In our 'Soundtrack of Our Lives' column, in which our writers describe the personal impact of music upon them, John Clarkson writes about hearing in 2000 London-based indie band Baptiste's first two singles, 'A New Career in a New Town' and 'The Quiet Times' |
Uptight Club (2002) |
reviews |
Nothing Shines Like A Dying Heart (2002) |
Long overdue, but totally 'enthralling' combination of Velvet Underground inspired melody and feedback on debut album by London five piece, Baptiste that proves to have been very much worth the wait |
Kissing With Your Eyes Open (2001) |
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