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Band:
Editors
Label:
Kitchenware
Title:
Papillon
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Review (1)
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Band:
Editors
Title:
Papillon
Reviewed By:
Anthony Strutt
Date Published:
28/11/2009
Label:
Kitchenware
Format:
CDS
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‘Papillon’ is the first single from ‘In This Light and On This Evening’, the third album from the Editors which finds the band having changed their direction and gone for a keyboard based sound.
‘Papillon’ for those old enough to be there was the prison-based memoir of French former convict Henri Charriere and was also made into a 1973 film starring Steve McQueen and Dustin Hoffman. The Editors pays tribute to both the book and film and to the early 80s as well, as while before their sound was very Joy Division-influenced, it is now reminiscent of New Order on downers as well. Its sound is very much keyboards-based which is a very brave move for the band.
While the A side plays at 33 rpm. The B side, a demo of a track from the album, ‘Eat Raw Meat=Blood Droll’ plays at the usual 45 rpm. From the start it is very doom-laden and melancholic, but it also has a touch of gospel to it and sounds very much influenced by the last band they went on tour with, the now three piece REM.
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http://www.editorsofficial.com/
https://instagram.com/editorsofficial/
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https://www.facebook.com/editorsmusic
https://www.youtube.com/user/editorsofficial
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Review Header
First single from their third album for the Editors, which finds them moving successfully in a new keyboards-dominated direction
Editors:Interview
Editors bassist Russell Leetch talks to Richard Lewis about the band’s return with new album ‘The Weight of Your Love’, their first in four years which saw the group working with film composer Clint Mansell
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In Dream - CD
Acclaimed UK indie rockers Editors return with fifth LP which sees them bring more of an electronic edge to their sound with mixed results
The Weight of Your Love - CD
Anthemic fourth album from Editors, which takes a rip-roaring but unflinchingly raw and intense look at an emotionally devastating love affair
Papillon - CDS
First single from their third album for the Editors, which finds them moving successfully in a new keyboards-dominated direction
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